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Beethoven's Piano Sonata No. 21 in C major, Op. 53, known as the Waldstein, is one of the three most notable sonatas of his middle period (the other two being the Appassionata, Op. 57, and Les Adieux, Op. 81a).
Piano Sonata No. 2 (1946) Piano Sonata No. 3 (1950) Piano Sonata No. 4 (1950) Piano Sonata No. 5 (1957) Tim Souster. Sonata for cello, piano, seven winds, and percussion; Leo Sowerby. Three sonatas for violin and piano No. 1 in A major; No. 2 in B-flat major (1922) No. 3 in D major; Sonata for Cello and Piano (1920)
Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Scarlatti, Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five (Brahms' Third Piano Sonata, Czerny's Piano Sonata No. 1, Godowsky's Piano Sonata) or even more movements.
Piano Sonata No. 21 may refer to: Piano Sonata No. 21 (Beethoven) Piano Sonata No. 21 (Schubert) This page was last edited on 29 ...
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
[2] 21 sonatas — numbering of Schubert's piano sonatas as most encountered on recordings etc., for instance on the Schubert page at Classical Archives. Also IMSLP follows this numbering for their page names of Schubert's piano sonatas. Wiener Urtext Edition follows the same numbering, except that Op. 122 is No. 8, the ensuing D. 571, 575, 613 ...
The structure of the finale of the Sonata in A major is borrowed from the finale of Beethoven's Piano Sonata, Op. 31, No. 1, as evident through numerous parallels in structural features. [ 74 ] Numerous additional, less obvious similarities to works by Beethoven have been frequently mentioned in the literature.
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