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The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving ...
Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin.
Columbine (Italian: Colombina; French: Colombine; [2] lit. ' little dove ' ) is a stock character in the commedia dell'arte . [ 3 ] She is Harlequin 's mistress, [ 3 ] a comic servant playing the tricky slave type, and wife of Pierrot .
Created Date: 8/30/2012 4:52:52 PM
Pierrot (/ ˈ p ɪər oʊ / PEER-oh, US also / ˈ p iː ə r oʊ, ˌ p iː ə ˈ r oʊ / PEE-ə-roh, PEE-ə-ROH; French: ⓘ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne.
Nadar: Charles Deburau as Pierrot, c. 1855. Jean-Charles Deburau (French pronunciation: [ʒɑ̃ ʃaʁl dəbyʁo]; February 15, 1829 – December 19, 1873) was an important French mime, the son and successor of the legendary Jean-Gaspard Deburau, who was immortalized as Baptiste the Pierrot in Marcel Carné's film Children of Paradise (1945).
This provided the basis for his new lyrics, including those in the chorus which compare the lovers to the perpetually unhappy Commedia dell'arte characters: "But the joys of love are fleeting / For Pierrot and Columbine." [12] The song depicts "the joys of love" experienced by the pair—when they have to part, the carnival is over. [13]
The first, the volume Pierrot Lunaire, of 1982, is a retranslation of the Hartleben versions back into French by the poets Michel Butor and Michel Launay, who conclude their work with poems of their own inspired by Giraud. The second, Variations: Beyond Pierrot (1995), is a work by the American composer Larry Austin.