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Some of the Moody Blues compilation and live albums list the song as "Tuesday Afternoon (Forever Afternoon)" to reflect both titles. "Tuesday Afternoon" was released as a single in 1968 and was the second single from Days of Future Passed (the first being " Nights in White Satin ").
Days of Future Passed is the second studio album by English progressive rock band the Moody Blues, released on 17 November 1967, by Deram Records. [8] It has been cited by Rock and Roll Hall of Fame and others as one of the earliest albums of the progressive rock genre and one of rock music's first concept albums.
US: A-side on Go Now: The Moody Blues #1/B-side non-album track "I Don't Want to Go On Without You" b/w "Time Is on My Side" 33 — — — — — — — UK: Non-album tracks US: A-side on Go Now: The Moody Blues #1/B-side non-album track "From the Bottom of My Heart (I Love You)" b/w "And My Baby's Gone" 22 — 23 — 93 70 — — UK: Non ...
The composing credit for the whole album was listed as Redwave/Knight (Redwave being a made-up collective name for the five Moody Blues), although "Nights in White Satin" and "Tuesday Afternoon" were written by Hayward, "Dawn Is a Feeling" and "The Sun Set" were written by Pinder, "Another Morning" and "Twilight Time" were written by Thomas ...
"Nights in White Satin" is a song by English rock band the Moody Blues, written by Justin Hayward. It was first featured as the segment "The Night" on the album Days of Future Passed.
Name John Lodge. Best known for Singer, bass player, a Moody Blue.. Current city Traveller Town. Really want to be in Already there, wherever there is…. Excited about My new USA tour starting ...
The first album, Moody Bluegrass: A Nashville Tribute to the Moody Blues, was conceived by Randey Faulkner and produced by bluegrass musician and luthier David Harvey. [1] The album, released September 28, 2004 by Rounder Records, included performances by Alison Krauss, Harley Allen, John Cowan, Sam Bush, Tim O'Brien, and Harvey himself, among ...
The album was an attempt by the group to strip down their previously lush, psychedelic sound in order to be better able to perform the songs in concert. [3] Guitarist Justin Hayward remembers, "From the beginning of our recording sessions we were all convinced that we had to record an album of songs that could easily translate into effective live performances.
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