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Aztec or Mixtec, AD 1400-1521. In the British Museum. The Chīmalli or Aztec shield (Nahuatl pronunciation: [t͡ʃiːˈmalːi] ⓘ; "shield") was the traditional defensive armament of the indigenous states of Mesoamerica. These shields varied in design and purpose. The Chīmalli was also used while wearing special headgear.
Aztec architecture is characterized by symmetry and elements like geometric designs and sweeping lines. [3] Other key stylistic traits include the use of "bas-reliefs, walls, plazas, and platforms as media to represent their gods and ideals," according to Manuel Aguilar-Moreno.
The Coatlicue statue is one of the most famous surviving Aztec sculptures. It is a 2.52 metre (8.3 ft) tall andesite statue by an unidentified Mexica artist. [1] Although there are many debates about what or who the statue represents, it is usually identified as the Aztec deity Coatlicue ("Snakes-Her-Skirt"). [2]
English: The Aztec sun calendar is a circular stone with pictures representing how the Aztecs measured days, months, and cosmic cycles. Español: El calendario solar Azteca es una piedra circular con figuras que representan cómo los Aztecas representaban los días, meses y ciclos cósmicos.
Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
Técpatl (18th day sign of the Aztec calendar) (Image from the Codex Magliabechiano) In the Aztec culture, a tecpatl was a flint or obsidian knife with a lanceolate figure and double-edged blade, with elongated ends. Both ends could be rounded or pointed, but other designs were made with a blade attached to a handle.
The Nahui Ollin is a fundamental concept in Aztec/Mexica cosmology, a guide for everyday life and decisions. The objective is to constantly strive for balance, even when there is struggle. The Nahui Ollin uses cultural concepts representing community, knowledge, education, will power, transformation, and most importantly, self-reflection .
Annotated image of Xipe Totec sculpture. In Aztec mythology, Xipe Totec (/ ˈ ʃ iː p ə ˈ t oʊ t ɛ k /; Classical Nahuatl: Xīpe Totēc [ˈʃiːpe ˈtoteːk(ʷ)]) or Xipetotec [3] ("Our Lord the Flayed One") [4] was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, [5] and the earth. [6]