Search results
Results from the WOW.Com Content Network
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.
A harmonized scale can be created by using each note of a musical scale as a root note for a chord and then by taking other tones within the scale building the rest of a chord. [3] For example, using an Ionian (major scale) the root note would become the I major chord, the second note the ii minor chord, the third note the iii minor chord,
The harmonic minor scale (or Aeolian ♮ 7 scale) has the same notes as the natural minor scale except that the seventh degree is raised by one semitone, creating an augmented second between the sixth and seventh degrees.
Harmonic minor scale on C. ... A free Android app with scales & building chords for the scales; A Study Of Scales This page was last edited on 9 February 2025 ...
Double the harmonic number means double the frequency (which sounds an octave higher). An illustration in musical notation of the harmonic series (on C) up to the 20th harmonic. The numbers above the harmonic indicate the difference – in cents – from equal temperament (rounded to the nearest integer). Blue notes are very flat and red notes ...
The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, and major modes, depending on which note serves as the tonic.Below are the mode names, their degrees, and the following seventh chords that can be built using each modal tonic or degree of the parent mode as the root: a major seventh chord, a half-diminished seventh chord, a minor seventh chord ...
The chord occurs on the tonic when harmonizing the harmonic minor scale in seventh chords. That is, the first, third, fifth, and seventh scale degrees of the harmonic minor scale form a minor major seventh chord, as shown below.
The double harmonic scale is arrived at by either: lowering both the second and sixth of the Ionian mode by a semitone. lowering the second note and raising the third note of the harmonic minor scale by one semitone. raising the seventh of the Phrygian dominant scale (a mode of the harmonic minor scale) by a semitone.