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Harbour or Seascape (Spanish - Marina) is a small 1881 oil-on-canvas painting by the Spanish artist Joaquín Sorolla. He painted it early in his career. He painted it early in his career. It is now in the Sorolla Museum in Madrid.
Seascape (Slightly Cloudy) A Seascape. The Coast of the Island of Rügen in Evening Light; Seaside by Moonlight; The Seducer; The Seine at Argenteuil (Sisley) The Seine at Port-Marly, Piles of Sand; The Seine at Rouen; Shinagawa no Tsuki, Yoshiwara no Hana, and Fukagawa no Yuki; Ship of Fools (painting) Shipping by a Breakwater (J. M. W. Turner)
Harry Aiken Vincent (1861 [1] [2]-1931) was a largely self-taught American artist known for his plein air landscape paintings. Many of his oil paintings portrayed marine scenes at the start or end of the day, featuring boats and fishing activity in New England, particularly on Cape Ann, and in France.
The painting depicts a turbulent seascape in the Roaring Forties, the part of the Southern Hemispheric Ocean between the latitudes of 40 and 50 degrees famed for its dangerous storms. Along with Wild Weather, the work is one of two seascape paintings by Waugh on display at the Metropolitan Museum of Art. [1] [2]
Monet's relatively early paintings Seascape: Storm (1867) and The Green Wave (1866) show boats on somewhat turbulent seas. The Gulf Stream , Winslow Homer, 1899. Breezing Up has been called "the one painting among all of Homer's earlier works positioned most squarely in the lineage of The Gulf Stream "; the sense of hope in Breezing Up is ...
Aivazovsky's signature in Russian, 1850 Aivazovsky's signature in Armenian on oil painting from 1899. Ivan Konstantinovich Aivazovsky (Russian: Иван Константинович Айвазовский; 29 July [O.S. 17 July] 1817 – 2 May [O.S. 19 April] 1900) was a Russian Romantic painter who is considered one of the greatest masters of marine art.
Acrylic, oilstick and marker on canvas with wood supports 72 x 72 3/8 in $11.5 million (2020) [37] Private collection 1982 Crown Hotel (Mona Lisa Black Background) Acrylic and paper collage on canvas mounted on a cross frame 48 13/16 x 85 in $7.4 million (2013) [38] Private collection 1982 Untitled: Oilstick and graphite on paper 27 5/8 x 38 7/8 in
Roaring Forties by Frederick Judd Waugh, currently on display at the Metropolitan Museum of Art.. Waugh was known to produce literary work, publishing a short poem in Pamela Colman Smith’s short-lived periodical The Green Sheaf; [12] a fairy tale in The English Illustrated Magazine; [13] and, in 1916, the book The Clan of Munes. [14]
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