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The painting depicts a turbulent seascape in the Roaring Forties, the part of the Southern Hemispheric Ocean between the latitudes of 40 and 50 degrees famed for its dangerous storms. Along with Wild Weather, the work is one of two seascape paintings by Waugh on display at the Metropolitan Museum of Art. [1] [2]
Seascape (Slightly Cloudy) A Seascape. The Coast of the Island of Rügen in Evening Light; Seaside by Moonlight; The Seducer; The Seine at Argenteuil (Sisley) The Seine at Port-Marly, Piles of Sand; The Seine at Rouen; Shinagawa no Tsuki, Yoshiwara no Hana, and Fukagawa no Yuki; Ship of Fools (painting) Shipping by a Breakwater (J. M. W. Turner)
Roaring Forties by Frederick Judd Waugh, currently on display at the Metropolitan Museum of Art.. Waugh was known to produce literary work, publishing a short poem in Pamela Colman Smith’s short-lived periodical The Green Sheaf; [12] a fairy tale in The English Illustrated Magazine; [13] and, in 1916, the book The Clan of Munes. [14]
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
Harry Aiken Vincent (1861 [1] [2]-1931) was a largely self-taught American artist known for his plein air landscape paintings. Many of his oil paintings portrayed marine scenes at the start or end of the day, featuring boats and fishing activity in New England, particularly on Cape Ann, and in France.
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
According to the Russian Museum, "he was the first and for a long time the only representative of seascape painting" and "all other artists who painted seascapes were either his own students or influenced by him." [58] Arkhip Kuindzhi (1842–1910) is sometimes cited as having been influenced by Aivazovsky. [67]
Moonrise by the Sea or Moonrise over the Sea (German: Mondaufgang am Meer) is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich. The work depicts a romantic seascape. Three young people, two women side by side and a man further back, are sitting on a large boulder by the sea, silhouetted against the sky as they watch the ...
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