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Abstract Expressionism preceded Color Field painting, Lyrical Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, and the other movements of the 1960s and 1970s and it influenced the later movements that evolved. The interrelationship of/and between distinct but related styles resulted in influence that worked both ways between artists ...
In abstract painting during the 1950s and 1960s, several new directions, like the Hard-edge painting exemplified by John McLaughlin, emerged. Meanwhile, as a reaction against the subjectivism of abstract expressionism, other forms of Geometric abstraction began to appear in artist studios and in radical avant-garde circles.
Thomas Sills (August 20, 1914 – September 26, 2000) was a painter and collagist and a participant in the New York Abstract Expressionist movement. [1] At the peak of his career in the 1960s and 1970s, his work was widely shown in museums.
His painting Big A is an example of his color field paintings of the late 1960s. [21] [27] During the late 1950s and early 1960s, Frank Stella was a significant figure in the emergence of minimalism, post-painterly abstraction and color field painting. His shaped canvases of the 1960s like Harran II (1967) revolutionized abstract painting. One ...
Richard Diebenkorn (April 22, 1922 – March 30, 1993) was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s.
The American Abstract Artists group was established as a forum for discussion and debate of abstract art and to provide exhibition opportunities when few other possibilities existed. [8] In late 1935 and early 1936 a small group of artists, who would become founding members of AAA, had sporadic informal meetings in their studios about ...
In 2015, Christie's New York held "Norman Bluhm: Divine Proportion", showing works form the 1960s, 70s and 80s. The exhibition catalog reproduced James Harithas's introduction to Bluhm's 1973 show at the Everson Museum as well as a 1987 interview of the artist conducted by William Salzillo.
Mervyn John Williams (born 22 April 1940) is a New Zealand artist. He was an early exponent of Op art in New Zealand in the 1960s–70s. In 1990 he originated a style of illusionary abstract painting based on chiaroscuro, creating the impression of three-dimensional forms and textures on a flat canvas. [1]
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related to: abstract paintings of the 1960s and 70s