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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Hymn: a poem praising God or the divine (often sung). Lament: any poem expressing deep grief, usually at a death or some other loss. Dirge; Elegy: a poem of lament, praise, and consolation, usually formal and sustained, over the death of a particular person. Example: "Elegy Written in a Country Churchyard" by Thomas Gray. Light: whimsical poems ...
Superfluid vacuum theory (SVT) is an approach in theoretical physics and quantum mechanics where the physical vacuum is viewed as superfluid. [citation needed] The ultimate goal of the approach is to develop scientific models that unify quantum mechanics (describing three of the four known fundamental interactions) with gravity.
Alemannisch; Аԥсшәа; العربية; Asturianu; Azərbaycanca; تۆرکجه; বাংলা; Башҡортса; Беларуская; Беларуская ...
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
A papyrus manuscript preserving Sappho's "Fragment 5", a poem written in Sapphic stanzas. The Sapphic stanza, named after the Ancient Greek poet Sappho, is an Aeolic verse form of four lines.
In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry and drama (in the form of tragedy and comedy). [12] Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type. They differ in that Epic poetry admits but one kind of meter and is narrative in form.
Spanish devotional poetry adapted the lyric for religious purposes. Notable examples were Teresa of Ávila, John of the Cross, Sor Juana Inés de la Cruz, Garcilaso de la Vega, Francisco de Medrano and Lope de Vega. Although better known for his epic Os Lusíadas, Luís de Camões is also considered the greatest Portuguese lyric poet of the period.