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Banjar Mask Dance (Indonesian: Tari Topeng Banjar) is a local indigenous art form of Banjar in South Kalimantan, Indonesia. It is called mask dance because the dancers use masks when dancing. This dance is usually played for sacred ceremonies, such as the manyanggar ceremony. The ceremony is a ritual to clean inherited equipment, treat ...
Picture of Topeng dance performance accompanied by gamelan in Damar Wulan Manuscripts, 1770-1795 AD. A collection of the British Library. Topeng (from Balinese: ᬢᭀᬧᬾᬂ; Javanese: ꦠꦺꦴꦥꦺꦁ, romanized: topèng; [1] Sundanese: ᮒᮧᮕᮨᮔᮌ) is a dramatic form of Indonesian dance in which one or more mask-wearing ornately costumed performers interpret traditional ...
The Panji tales are a cycle of Javanese stories, centred around the legendary prince of the same name (actually a title) from East Java, Indonesia.Along with the Ramayana and Mahabharata, the tales are the basis of various poems, sculpture and painting, dance-drama performances and genres of wayang (shadow puppetry), especially the one known in East and Central Java as wayang gedhog (the ...
The Betawi mask dance (Betawi: Topèng Betawi) is a theatrical form of dance and drama of the Betawi people in Jakarta, Indonesia. [1] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [2]
Cirebonese mask dance (Indonesian: Tari Topeng Cirebon; Cirebonese: beksan topéng Cerbon) is a local indigenous art form of Cirebon in Java, including Indramayu and Jatibarang, West Java and Brebes, Central Java. It is called mask dance because the dancers use masks when dancing.
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Wayang gedhog centers on a love story about Princess Candra Kirana of Kediri and Raden Panji Asmarabangun, the legendary crown prince of Janggala. Candra Kirana was the incarnation of Dewi Ratih (the Hindu goddess of love) and Panji was an incarnation of Kamajaya (the Hindu god of love).