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The New Persian word فروهر is read as foruhar or faravahar (pronounced as furōhar or furūhar in Classical Persian).The Middle Persian forms were frawahr (Book Pahlavi: plwʾhl, Manichaean: prwhr), frōhar (recorded in Pazend as 𐬟𐬭𐬋𐬵𐬀𐬭; it is a later form of the previous form), and fraward (Book Pahlavi: plwlt', Manichaean: frwrd), which was directly from Old Persian ...
The architecture of Ferdowsi's tomb is also influenced by poet's own personal life, reflecting a constant struggle between the poor poet and the lazy king, and adversity and hope. The Society for National Heritage in 1930s drawing on poet's attempt to revitalize the Persian language, also attempted to revitalize Persian culture and Iranian ...
Achaemenid architecture includes all architectural achievements of the Achaemenid Persians manifesting in construction of spectacular cities used for governance and inhabitation (Persepolis, Susa, Ecbatana), temples made for worship and social gatherings (such as Zoroastrian temples), and mausoleums erected in honor of fallen kings (such as the burial tomb of Cyrus the Great).
Close-up detail of the faravahar, an important symbol in Zoroastrianism, as it appears on the Fire Temple of Yazd. I think the image is technically quite good, I like that this example has color (a lot of the other examples on the faravahar page are simply hewn from unadorned stone), and the mild shadows bring out the relief.
Persepolitan architecture is noted for its use of the Persian column, which was probably based on earlier wooden columns. The buildings at Persepolis include three general groupings: military quarters, the treasury, and the reception halls and occasional houses for the King.
The Behistun Inscription (also Bisotun, Bisitun or Bisutun; Persian: بیستون, Old Persian: Bagastana, meaning "the place of god") is a multilingual Achaemenid royal inscription and large rock relief on a cliff at Mount Behistun in the Kermanshah Province of Iran, near the city of Kermanshah in western Iran, established by Darius the Great (r.
The symbol of the Assyrian god Aššūr was chosen as the faravahar, the symbol of God in Zoroastrianism, during the Achaemenid rule of Assyria. [37] The best example of Assyrian influence can be observed in the Gate of All Nations in Persepolis, with two lamassus (human-headed winged bull) in the entrance. [35]
The fire temple is built in Achaemenid architecture style in brick masonry to the design prepared by the architects from Bombay. It is similar in design to the Atash Behram temples in India. The building is surrounded by a garden which has fruit trees. [9] There is a winged deity of the Ahura Mazda embedded on the front door of the temple. [10]