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Bertrand, Aloysius (1807-1841). Gaspard de la nuit : fantaisies à la manière de Rembrandt et de Callot / par Aloysius Bertrand. 1920. Software used: Bibliothèque nationale de France: Conversion program: iText 1.4.8 (by lowagie.com) Encrypted: no: Version of PDF format: 1.4: Page size: 1024 x 1483 pts; 1024 x 1453 pts
The book had an important influence upon other poets, mostly French, including Charles Baudelaire, through whom the importance of the work came to be recognized.The most famous tribute was the Suite, Gaspard de la Nuit: Trois poèmes pour piano d'après Aloysius Bertrand, of three piano pieces by Maurice Ravel based on three items, namely 'Ondine', 'Scarbo' and 'Le Gibet'.
Cover of the first edition of Gaspard de la nuit “Gaspard de la Nuit” was finally published in November 1842. It sold 20 copies. However, this edition was full of mistakes due to an inaccurate copy of the manuscript. In 1925, Bertrand Guégan published a new edition from an original manuscript that corrected most of the mistakes.
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Gaspard de la nuit (subtitled Trois poèmes pour piano d'après Aloysius Bertrand), M. 55 is a suite of piano pieces by Maurice Ravel, written in 1908.It has three movements, each based on a poem or fantaisie from the collection Gaspard de la Nuit – Fantaisies à la manière de Rembrandt et de Callot completed in 1836 by Aloysius Bertrand.
Undine is a fairytale novella by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldbrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
Le Spleen de Paris explores the idea of pleasure as a vehicle for expressing emotion. Many of the poems refer to sex or sin explicitly (i.e. "Double Bedroom," "A Hemisphere in a Head of Hair", "Temptations"); others use subtle language and imagery to evoke sensuality (i.e. "the Artist's Confiteor").
Louis Émile Benassit (20 December 1833 – 9 August 1902) was a French artist and raconteur. He cut a colorful figure in the literary and artistic circles of Paris in the 1860s and 1870s, known equally for his satirical drawings and for his barbed wit.