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La traviata (Italian: [la traviˈaːta,-aˈvjaː-]; The Fallen Woman) [1] [2] is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave.It is based on La Dame aux camélias (1852), a play by Alexandre Dumas fils, which he adapted from his own 1848 novel.
"Libiamo ne' lieti calici" (Italian pronunciation: [liˈbjaːmo ne ˈljɛːti ˈkaːlitʃi]; "Let's drink from the joyful cups") is a famous duet with chorus from Giuseppe Verdi's La traviata (1853), one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors and sopranos.
Un dì, felice, eterea" ("One day, happy, ethereal") is a duet from the first act of Giuseppe Verdi's 1853 opera La traviata. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). The main melody of the duet, which is very famous in its own right, is also an important musical theme throughout ...
Detroit Opera invites its patrons to travel back to the sparkling salons of 1920s Paris for the next two weekends with a visually stunning production of Giuseppe Verdi’s “La Traviata ...
"La Traviata" is a ballet created by Maria Eugenia Barrios for the Caracas Contemporary Ballet in 1996 to music by Giuseppe Verdi. The ballet included the Tenor, Baritone and Soprano arias from Verdi's opera. The role of Marguerite Gautier was interpreted by Maria Barrios who danced and also sang the Soprano arias.
La Traviata is a 1982 Italian film written, designed, and directed by Franco Zeffirelli. It is based on the 1853 opera La traviata with music by Giuseppe Verdi and libretto by Francesco Maria Piave. Soprano Teresa Stratas, tenor Plácido Domingo, and baritone Cornell MacNeil starred in the movie, in addition to singing their roles. The film ...
Francesco Maria Piave (18 May 1810 – 5 March 1876) was an Italian opera librettist who was born in Murano in the lagoon of Venice, during the brief Napoleonic Kingdom of Italy. Career [ edit ]
Composer and librettist met in Rome around 20 December 1852 and Verdi began work on both Trovatore and La traviata. His main aim, having changed his mind about the distribution of characters in the opera, was to enhance the role of Leonora, thus making it "a two-women opera" [ 16 ] and he communicated many of these ideas ahead of time via ...
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