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Circus music (also known as carnival music) is any sort of music that is played to accompany a circus, and also music written that emulates its general style. Popular music would also often get arranged for the circus band, as well as waltzes , foxtrots and other dances.
"Frolic" is commonly seen as being connected to circus music. This connotation comes from the rhythms and instruments (specifically tuba and mandolin ) [ 13 ] used in the song by Michelini. [ 14 ] Additional inspiration comes from the bossa nova , which can be heard in the harmony of the song.
The music video for "Mesmerizer" was released on April 27, 2024, and the song was released for streaming on May 17. [6] The song was included on 32ki's first album, Circus's Detail, which was released during Niconico Chokaigi 2024. [2] [7] The song's stems have been made available to the public as part of the "Remix Project" by Dwango. [8]
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Monk – Instrumental theme by Jeff Beal in season 1, and "It's a Jungle Out There" by Randy Newman from seasons 2–8. The Monkees ("(Theme From) The Monkees") - Boyce and Hart (performed by The Monkees) Monty Python's Flying Circus ("The Liberty Bell (march)") – John Philip Sousa played by The Band of the Grenadier Guards
Since the company's founding in 1984, various composers have been commissioned to write the music for Cirque du Soleil's many productions. René Dupéré was Cirque du Soleil's first composer. Benoît Jutras , who had worked for many years as an arranger and musical director for the company, began filling the role of composer with the show ...
Gustav Peter is the composer [3] of the widely popular piece of music Memory of Circus Renz that was published in 1894 with the original title Souvenir de Cirque Renz. [4] Its musical form is a Galop and primarily it was written for xylophone, but later adapted to various kinds of instruments. It is one of the best-known examples of circus music.
Circus Maximus was composed at the behest of the conductor Jerry Junkin, Director of Bands at the University of Texas at Austin.Junkin had originally approached Corigliano about composing a wind ensemble piece years before, but the composer turned the offer down, later remarking, "the thought of that enormous ensemble, composed of so many instruments I had never written for, overwhelmed me."