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"Freddie Freeloader" (Miles Davis, Hendricks) – 9:09 "Stardust" (Hoagy Carmichael, Mitchell Parish) – 3:55 "Sugar" (Maceo Pinkard, Stanley Turrentine) – 5:12 "Take the "A" Train" (Billy Strayhorn) – 3:04 "Fas' Livin' Blues" (Hendricks) – 5:37 "High As a Mountain" (Davis, Gil Evans, Hendricks) – 1:32 "Trinkle Tinkle" (Hendricks ...
Hendricks also recorded two albums in London – Jon Hendricks Live (Fontana) and Times of Love (Philips), which was released in the US as September Songs (Stanyan, 1975). After five years, the Hendricks family returned to Mill Valley, where Hendricks worked as the jazz critic for the San Francisco Chronicle and taught classes at California ...
Recorded "Live" at Basin Street East is an album by the jazz vocalese group Lambert, Hendricks & Bavan recorded at the New York City nightclub Basin Street East. The album features the group who had re-formed in 1963 featuring Dave Lambert and Jon Hendricks , with Yolande Bavan replacing Annie Ross who had left the group in 1962.
The band's line-up is composed of siblings Eva (lead vocals, guitar) and Sam (drums) Hendricks, lead guitarist Spencer Fox, and bassist Dan Shure. [2] To date, the band have released three studio albums, Guppy (2017), Young Enough (2019), and Forever (2024).
In the 1970s, Hendricks moved to Nashville, Tennessee, and began touring with family and writing contemporary Christian music. Hendricks plays guitar, mandolin , dobro , and autoharp , and has recorded more than 50 albums spanning a variety of styles, mainly Americana , country and contemporary Christian, including several instrumental albums ...
The band were renamed Lambert, Hendricks and Bavan. Their appearance at the 1962 Newport Jazz Festival, and performances of "Comin' Home" and "Moanin'" can be seen in Buddy Bregman's film The 1962 Newport Jazz Festival. Lambert, Hendricks and Bavan released three live albums before disbanding in 1964.
The album features the group who had re-formed in 1963 featuring Dave Lambert and Jon Hendricks, with Yolande Bavan replacing Annie Ross who had left the group in 1962. [1] The album was reissued in 1999 as part of RCA Victor's Classic Edition series, which featured improved audio quality and original cover art. [2]
But once we started seeing the response we were getting at shows, we were like 'No. We want our first album to be as strong as possible.'" [15] The band was going for an indie rock style when recording the LP's first version, but later realized they had to follow the tendencies of pop music to make an enjoyable album. [16]