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My Favourite Headache (also published as My Favorite Headache, especially in the US) is the debut solo album by Geddy Lee of Canadian rock band Rush.The album was released on November 14, 2000, by Anthem Records in Canada and Atlantic Records outside of Canada.
Geddy Lee Weinrib (/ ˈ ɡ ɛ d i /; born Gary Lee Weinrib, July 29, 1953) is a Canadian musician, best known as the lead vocalist, bassist, and keyboardist for the rock group Rush. [4] Lee joined the band in September 1968 at the request of his childhood friend Alex Lifeson , replacing original bassist and frontman Jeff Jones .
"A Farewell to Kings" is a song by the Canadian progressive rock band Rush. It was released as the title track to their 1977 album A Farewell to Kings. A music video to the song was uploaded to YouTube in March 2018. [1] "A Farewell to Kings" is about dealing with hypocrisy, and finding your own way by looking within yourself. [2]
"Limelight" is a song by Canadian progressive rock band Rush. It first appeared on the 1981 album Moving Pictures. The song's lyrics were written by Neil Peart with music written by Geddy Lee and Alex Lifeson. "Limelight" expresses Peart's discomfort with Rush's success and the resulting attention from the public.
"Working Man" is a song by Canadian rock band Rush. In an interview on the Rolling Stone YouTube channel, bassist and lead vocalist Geddy Lee said that "Working Man" is his favorite song to play live. [1] "Working Man" became a favourite among Rush fans; [2] the guitar solo appeared on Guitar World magazine's 100 Greatest Guitar Solos list. [3]
"A Passage to Bangkok" is a song by Canadian rock band Rush, released in March 1976 by Anthem Records. The song appears on the band's fourth studio album 2112 (1976). [3] With the album's title track comprising the first half of the record, "A Passage to Bangkok" opens the second side of the album (on the original LP and audio cassette).
This is a comprehensive list of compositions performed or recorded by the Canadian rock band Rush or its principal members Alex Lifeson, Geddy Lee, and Neil Peart, including contributions made to other artists.
Geddy Lee gave a somewhat unfavorable mention of this song in a 1993 interview: [4] A lot of the early stuff I'm really proud of. Some of it sounds really goofy, but some of it stands up better than I gave it credit for. As weird as my voice sounds when I listen back, I certainly dig some of the arrangements.