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Going further, the philosophical concept of nature or natures as a special type of causation - for example that the way particular humans are is partly caused by something called "human nature" is an essential step towards Aristotle's teaching concerning causation, which became standard in all Western philosophy until the arrival of modern science.
Aristotle's views on fine art distinctly recognized (in the Politics and elsewhere) that the aim of art is immediate pleasure, as distinct from utility, which is the end of the mechanical arts. He took a higher view of artistic imitation than Plato, holding that it implied knowledge and discovery, that its objects not only comprised particular ...
Aristotle takes note of what we now call conservation of matter. 4. Nature as artist and the human artist as imitator of nature 5. Three main modes of accidental change: change of place, change of quality, change of quantity 6. Aristotle's doctrine of the four causes: efficient, material, formal, and final. Physics, II.3-9
Aristotle [A] (Attic Greek: Ἀριστοτέλης, romanized: Aristotélēs; [B] 384–322 BC) was an Ancient Greek philosopher and polymath.His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, and the arts.
Aristotelianism (/ ˌ ær ɪ s t ə ˈ t iː l i ə n ɪ z əm / ARR-i-stə-TEE-lee-ə-niz-əm) is a philosophical tradition inspired by the work of Aristotle, usually characterized by deductive logic and an analytic inductive method in the study of natural philosophy and metaphysics.
Aristotle on definition. By Marguerite Deslauriers, p. 81; Philosophy in the ancient world: an introduction. By James A. Arieti. p. 201. Doctrine of Being in the Aristotelian Metaphysics. By Joseph Owens and Etienne Gilson. Aitia as generative factor in Aristotle's philosophy; A Compass for the Imagination, by Harold C. Morris.
Natural philosophy or philosophy of nature (from Latin philosophia naturalis) is the philosophical study of physics, that is, nature and the physical universe while ignoring any supernatural influence.
For Aristotle, the function of artistic forms was to instill pleasure, and he first pondered the problem that an object of art representing ugliness produces "pain." Aristotle's detailed analysis of this problem involved his study of tragic literature and its paradoxical nature as both shocking and having poetic value. [11]