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The portrayal of Jesus Christ's suffering prior to this event is meant to inspire not only pain, but hope. The idea of scherzo , a musical term referring to the lighthearted, playful segment of a symphony, is present in this scene, [ 14 ] invoking slight lightness, hope, and promise in anticipation of Christ's future resurrection .
The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified , his body was removed from the cross and his friends mourned over his body.
It shows the common subject of Christ Carrying the Cross to his crucifixion, at the moment when he fell and his mother suffers a spasm of agony, the Swoon of the Virgin, or "Lo Spasimo". [2] All the emotion of the painting is densely crammed into the foreground and the background is similar to that of a stage set with distant groups of people ...
Together with the Pietà, it was the most popular of the Andachtsbilder-type images of the period – devotional images detached from the narrative of Christ's Passion, intended for meditation. The Latin term Christus dolens ("suffering Christ") is sometimes used for this depiction.
The book ends with a chapter on Margery Kempe which includes descriptions of Margery's "shared fleshliness" and "bodily identification" with Christ, of her graphic imaginings "rooted in the visceral compassion with the passion of Christ," of "her willing assumption of suffering," of her book's evocation of the image of Christ as mother (among ...
Bottom row: Ecce homo, Carrying the cross, Christ falls, Crucifixion, Deposition from the cross, Harrowing of Hell, Resurrection. The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth.
A good example is from the Chora Church in Istanbul, where John the Baptist, Solomon and other figures are also present, depicting that Christ was not alone in the resurrection. [13] The depiction sequence at the 10th-century Hosios Loukas monastery in Greece shows Christ wearing a new tunic, with gold lines, after he has broken through the ...
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art , in cycles of the Passion or the larger subject of the Life of Christ .