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Retrieved from "https://en.wikipedia.org/w/index.php?title=End_of_the_Earth_(Marina_song)&oldid=1023002211"
"The End of the World" is a pop song written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team. They wrote the song for American singer Skeeter Davis, and her recording of it was highly successful in the early 1960s, reaching the top five on four different charts, including No. 2 on the main Billboard Hot 100.
End of the Earth. Global catastrophe scenarios "End of the Earth", a song by Client Liaison from the 2016 album Diplomatic Immunity "End of the Earth", a song by ...
Equal chords are subtended by equal angles from the center of the circle. A chord that passes through the center of a circle is called a diameter and is the longest chord of that specific circle. If the line extensions (secant lines) of chords AB and CD intersect at a point P, then their lengths satisfy AP·PB = CP·PD (power of a point theorem).
"September" has a funk groove based on a four-measure pattern that is consistent between verses and choruses, built on a circle of fifths. [7]Written in the key of A major, and using a chord progression written by Earth, Wind & Fire guitarist Al McKay, vocalist Maurice White and songwriter Allee Willis wrote the song over one month.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
Over a pleasantly discordant score of dreamy electronic chords and twanging banjos, Matthew finds pencil marks charting his growth as a child while these parents fuss over their own new baby.
"It's the End of the World as We Know It (And I Feel Fine)" is a song by American rock band R.E.M., which first appeared on their 1987 album, Document. It was released as the album's second single in November 1987, reaching No. 69 in the US Billboard Hot 100 and later reaching No. 39 on the UK Singles Chart on its re-release in December 1991.