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¡Ole! or ¡olé! is a Spanish interjection used to cheer on or praise a performance, especially associated with the audience of bullfighting and flamenco dance. The word is also commonly used in many other contexts in Spain, and has become closely associated with the country; therefore it is often used outside Spain in cultural representation ...
¡Ay, caramba!" (pronounced [ˈaj kaˈɾamba]), from the Spanish interjections ay (denoting surprise or pain) and caramba (a minced oath for carajo), is an exclamation used in Spanish to denote surprise (usually positive).
Lambada (pronunciation ⓘ) is a dance from the state of Pará in Brazil. The dance briefly became internationally popular in the 1980s, especially in the Philippines, Latin America and Caribbean countries. It has adopted aspects of dances such as maxixe, carimbó, forró, salsa and merengue. Lambada is generally a partner dance. The dancers ...
In Spain, music has a long history. It has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance ...
Composer Gustavo Santaolalla talks about taking on the 1931 classic 'Dracula' score. The Oscar winner takes the United Theater on Broadway stage with the L.A. Opera orchestra.
Zapateo, which later produced the more famous Malambos dance, arrived in South America from Spain around the year 1600 CE and was a favorite pastime of the gaucho (descendants of Spanish conquistadores and aborigines) also known as the "South American cowboys", especially around the camp fires in the lonely stretches of the flatlands, known as ...
In Mexico, there have been attempts at using Mestizaje to create a national identity through art, music, and dance. Ballet Folklorico has also become a symbol of Mestizaje and the mixing of Spanish and Indigenous Mexican music and dance forms. This can be seen in its history and its formal elements such body movements, gestures, and dress.
The dancers are often enveloped in incense smoke. Conchero dancers do not touch each other and most movement is restricted to feet and torsos, leaving hands free to play various musical instruments. [5] Many of the dancers and musicians also sing. [6] Dance sets are interspersed with peregrinations, praying or singing. [5]