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James Edward Grant (May 25, 1924 – August 14, 1997) was an American painter and sculptor active from the late 1950s into the early 1970s. Best known for his sculptural work in plastics, this work by no means defined him but was rather a natural endpoint of an exploration into increased dimensionality—starting from abstract canvases, moving through collages and bas-reliefs until the work ...
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures.As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
James Hampton (April 8, 1909 – November 4, 1964) was an American outsider artist.Hampton worked as a janitor and secretly built a large assemblage of religious art from scavenged materials, known as the Throne of the Third Heaven of the Nations' Millennium General Assembly.
James Elliott Bama (April 28, 1926 – April 24, 2022) was an American artist known for his realistic paintings and etchings of Western subjects. Life in Wyoming led to his comment, "Here an artist can trace the beginnings of Western history, see the first buildings, the oldest wagons, saddles and guns, and be up close to the remnants of Indian culture ...
James A. Porter, African Nude, 1934.Harmon Foundation Collection. Porter began his career as an instructor of painting and drawing at Howard University.During his four decade Howard tenure, he would work with artists, such as James Lesesne Wells and Lois Mailou Jones, chair the Art Department, and serve as Director of the Art Gallery (1953 through 1970). [4]
James Laver, CBE, FRSA (14 March 1899 – 3 June 1975) was an English author, critic, art historian, and museum curator who acted as Keeper of Prints, Drawings and Paintings for the Victoria and Albert Museum between 1938 and 1959. He was also an important and pioneering fashion historian described as "the man in England who made the study of ...
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James Cahill had published hundreds of articles on Chinese and Japanese art, as well as was an author of more than a dozen books on East Asian art. [7] He built a significant collection of Chinese and Japanese art, and gave much of it to the Berkeley Art Museum. [4] In 1993 he delivered the Edwin O. Reischauer Lectures at Harvard.