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Most damaging was the 6 May 1527, Spanish and German troops' sacking Rome that for two decades all but ended the role of the Papacy as the largest patron of Renaissance art and architecture. [38] While the Italian Renaissance was fading, the Northern Renaissance adopted many of its ideals and transformed its styles. A number of Italy's greatest ...
Italian Renaissance painting is most often divided into four periods: the Proto-Renaissance (1300–1425), the Early Renaissance (1425–1495), the High Renaissance (1495–1520), and Mannerism (1520–1600). The dates for these periods represent the overall trend in Italian painting and do not cover all painters as the lives of individual ...
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Vasari, Life of Raphael from the Lives of the Artists, edition used: Artists of the Renaissance selected & ed Malcolm Bull, Penguin 1965 (page nos from BCA edn, 1979) Wölfflin, Heinrich; Classic Art; An Introduction to the Renaissance, 1952 in English (1968 edition), Phaidon, New York. Gigli, Laura (1992). Guide rionali di Roma (in Italian). Vol.
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started between 1490 and 1500, and ended in 1520 with the death of Raphael ...
Garrard, Mary D., Angouissola and the Problem of the Woman Artist, Renaissance Quarterly 24, 1994. Zwanger, Meryl, Women and Art in the Renaissance, in: Sister, Columbia University 1995/6. Judith Brown. Gender and Society in Renaissance Italy (Women And Men In History). 1998; Letizia Panizza, Women in Italian Renaissance Culture and Society.
Filippo Lippi O.Carm. (c. 1406 – 8 October 1469), also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento (fifteenth century) and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters.
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