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Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background painting. In film and stage, mattes can be physically huge sections of painted canvas, portraying large scenic expanses of landscapes.
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Over 100 million photos: Various [54] Fortepan: archival photographs, and family snapshots of everyday life: CC BY-SA (100.000 images) Unsplash: user photo uploading and sharing service CC0 prior to 5 June 2017 [55] [56] Wikimedia Commons: free image and data repository, stores Wikipedia images: various free CC licenses (40+ million images in ...
Words and Pictures: Binoche stars in the film as Dina Delsanto Greg Bogan [6] paintings in the style of Jean-Michel Basquiat: Basquiat: Robert Brackman [7] portrait of Jennifer Jones: Portrait of Jennie: John Bratby [8] paintings The Horse's Mouth: John Bratby [9] paintings and drawings Mistral's Daughter: James Cameron [10] Jack's drawing of ...
A front projection effect is an in-camera visual effects process in film production for combining foreground performance with pre-filmed background footage. In contrast to rear projection, which projects footage onto a screen from behind the performers, front projection projects the pre-filmed material over the performers and onto a highly reflective background surface.
Rear projection (background projection, process photography, etc.) is one of many in-camera effects cinematic techniques in film production for combining foreground performances with pre-filmed backgrounds. It was widely used for many years in driving scenes, or to show other forms of "distant" background motion.
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Missions of California, a 1907 documentary by Norman Dawn, was the first film to use a glass matte painting to augment the scenery.. Traditionally, matte paintings were made by artists using paints or pastels on large sheets of glass for integrating with the live-action footage. [1]
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