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Plugg is a sub-genre of trap music that emerged in the mid-2010s via online distribution on the SoundCloud platform. It was popularized by melodic Southern hip hop artists, and is characterized by deep 808 basslines, sparkly melodies, and melodic vocals.
The 808 was followed in 1983 by the TR-909, the first Roland drum machine to use samples. Like the 808, the 909 influenced popular music, including such genres as techno, house and acid. [19] 808 samples were included in ReBirth RB-338, an early software synthesiser developed by Propellerhead Software. [44]
The only kit specified by General MIDI Level 1 9: Room Kit: Drums recorded with room ambience 17: Power Kit: More powerful kick and snare sounds 25: Electronic Kit: Sounds of various electronic drums 26: TR-808 Kit: Analog drum kit similar to Roland TR-808 33: Jazz Kit: Softer kick and snare sounds than the Standard Kit 41: Brush Kit: Many ...
The Roland SP-808 GrooveSampler and SP-808EX/E-Mix Studio are both discontinued workstations, which function as digital samplers, synthesizers, and music sequencers. The digital samplers are a part of the long line of both Roland Corporation 's and Boss Corporation 's Groove Gear , which includes the more popular and successful Boss SP-303 and ...
Trap music is known for its simple, rhythmic, minimalistic productions that uses synthesized drums, and is characterized by complex hi-hat patterns, snare drums, bass drums, some tuned with a long decay to emit a bass frequency (originally from the Roland TR-808 drum machine), and lyrical content that often focuses on drug use and urban violence.
808 is a 2015 American documentary film directed by Alexander Dunn, written by Dunn and Luke Bainbridge, and produced by Alex Noyer, Dunn, Craig Kallman and Arthur Baker.It is narrated by Zane Lowe and documents the history and culture of the Roland TR-808, a drum machine that had a significant effect on hip hop and pop music.
His austere, jackhammer, and utilitarian orchestral trap sound has been well known for his heavy use of hard hitting 808 kick drums; crisp snare drums; frantic synthesizers; spooky, sinister, and rhythmic Richard Wagner- and Danny Elfman-like bombastic ominous orchestration of synthesized brass, stringed, woodwind, and keyboard instruments ...
DJ Spanish Fly had introduced the synthetic drum-kit sound with the TR-808, splitting the Memphis scene in two between those who preferred the live versus the digital sound. Alongside a strong drum beat were "cowbell, syncopated rhythms, powerful sub-bass, and sharp digital snares", these elements becoming the hallmarks of the Memphis rap sound.