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The Parliament of Birds, an 18th-century oil painting by Karl Wilhelm de Hamilton. The Parlement of Foules (modernized: Parliament of Fowls), also called the Parlement of Briddes (Parliament of Birds) or the Assemble of Foules (Assembly of Fowls), is a poem by Geoffrey Chaucer (c. 1340s–1400) made up of approximately 700 lines.
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Chaucer first used the rhyme royal stanza in his long poems Troilus and Criseyde and the Parlement of Foules, written in the later fourteenth century.He also used it for four of the Canterbury Tales: the Man of Law's Tale, the Prioress' Tale, the Clerk's Tale, and the Second Nun's Tale, and in a number of shorter lyrics.
The poem had an important legacy for later writers. Robert Henryson's Scots poem The Testament of Cresseid imagined a rambunctious fate for Criseyde not given by Chaucer. In historical editions of the English Troilus and Criseyde, Henryson's distinct and separate work was sometimes included without accreditation as an "epilogue" to Chaucer's tale.
Geoffrey Chaucer. Geoffrey Chaucer, Legend of Good Women, House of Fame, Book of the Duchess, Parliament of Fowls – The Parliament of Fowls features a dream vision in which the narrator falls asleep while reading the Dream of Scipio and is ushered into a walled garden. He is chaperoned in the dream briefly by Scipio the Elder himself.
King James I of Scotland wrote The Kingis Quair, a series of courtly love poems written in rhyme royal stanzas. This poem is not merely a conventional application of Chaucer’s courtly writing. It also introduces to Scottish literature the discourse of subjectivity, in which the first person is the subject of the poem.
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Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]