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Dick Simon of Simon & Schuster came up with the English title The Decisive Moment. Margot Shore, Magnum's Paris bureau chief, translated Cartier-Bresson's French preface into English. "Photography is not like painting," Cartier-Bresson told the Washington Post in 1957. "There is a creative fraction of a second when you are taking a picture.
Behind the Gare Saint-Lazare (1932). Behind the Gare Saint-Lazare is a black and white photograph taken by French photographer Henri Cartier-Bresson in Paris in 1932. The photograph has been printed at variable dimensions; the print donated by Cartier-Bresson to the Museum of Modern Art is listed at 35.2 × 24.1 cm. [1] It is one of his best known and more critically acclaimed photographs and ...
Candid photography is often seen as a more honest representation of the subject than posed photography. Candid photography can be used to capture a wide variety of subjects and occasions. It is a popular style of photography for street photography, wedding photography, portrait photography, and event photography. It can be used to capture ...
Humanist Photography, also known as the School of Humanist Photography, [1] manifests the Enlightenment philosophical system in social documentary practice based on a perception of social change. It emerged in the mid-twentieth-century and is associated most strongly with Europe, particularly France , [ 2 ] where the upheavals of the two world ...
1989: W. Eugene Smith - Photography Made Difficult. Film by Kirk Morris, 89 min (Phaidon, US) 1997: Decisive Moments - The Photographs That Made History. Documentary series by Tim Kirkby and Deboarh Lee for the BBC; 2000: Chosen People. Documentary about the 12 People Are People the World Over families.
Myles had issues with the way in which photography had come to represent reality as ‘decisive moments,’ as photographer Henri Cartier-Bresson sought to capture. The artist started to explore different ways of capturing the ways that the human mind perceives events, and likewise, the way that memories are constructed.
Street photography is photography conducted for art or inquiry that features unmediated chance encounters and random incidents [1] within public places. It usually has the aim of capturing images at a decisive or poignant moment by careful framing and timing.
Moments are like minutes and hours, days and weeks: one just follows another. It is people who are decisive or indecisive; not the moments in time. As a photographer, you created the image. You decide when to release the shutter. You, the photographer, are the decisive element in the taking of the photograph, not some hyped-up moment.
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