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African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
The African fabric markets were starved of Dutch Wax for the entirety of the war and when in 1945 Vlisco managed to send a shipment of a fabric called 'Six Bougies' , it was an immediate success. [ 1 ] : 30 So much so, that from 1963 onwards, all Vlisco fabrics have the text 'Guaranteed Dutch Wax Vlisco' stamped on the side, because the fabrics ...
African wax prints—traditional cloths in Africa. Most of them are printed in West Africa and China. Some African waxprints are made in the Netherlands, known as Dutch wax. In earlier times these were also produced in Great Britain. In a wax print, the pattern or design is printed on both sides of the cotton fabric.
African wax prints were introduced during the colonial era, through the Dutch textile industry's effort to imitate the batik-making process. The imitation was not successful in Indonesian market, but was welcomed in West and Central Africa. [47] [48] [49] Nelson Mandela was a noted wearer of batik during his lifetime.
Raphia fiber from dried stripped leaves of raphia palm was commonly used in West Africa and Central Africa since it is widely available in countries with grasslands like Cameroon, Ghana, and Nigeria. Cotton fibers from the kapok tree has been extensively used by the Dagomba to produce long strips of fibre to make the Ghanaian smock.
The now trademark dashiki design was born from the "Angelina print", a wax print pattern by Dutch designer Toon van de Mannaker for Netherlands-based Vlisco, whose designs are "inspired by Africa". [3] [4] The exact inspiration for the Angelina print pattern was traditional silk embroidered tunics worn by Ethiopian women.
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The fabric is known by this name in francophone west African countries because of the image of eyes in the design. In Benin it is known as “Lisu ya Pité”. It is said that this name inferred as Lustful Eye means that females can profess their desire for males by wearing this fabric print. The design is simply known as Eyes in Nigeria.
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