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Angutitok used soapstone, ivory and whalebone in her art. Some of her sculptures portray scenes from the Bible; she was encouraged by Father Bernie Franzen. She also created sculptures of female figures. [1] In 2002, Canada Post created a Christmas stamp based on her sculpture Mary and Child. [2] [5]
Osuitok Ipeelee RCA (Inuktitut: ᐅᓱᐃᑐ ᐃᐱᓕ, [1] 23 September 1923 - 2005 [2]) was an Inuk sculptor who lived in Cape Dorset, Nunavut.His sculptures in green soapstone of caribou and birds are particularly valued for their balance and delicacy.
The first generation of Inuit artists in Kinngait (formerly Cape Dorset) in the 1940s and 1950s sold their carvings to the Baffin Trading Company (1939–1946) and the Hudson's Bay Company. The West Baffin Eskimo Cooperative was founded in Kinngait in 1959 and became the primary purchaser of arts and craft items.
The McMichaels' personal collection of Inuit stone carvings, and West Coast First Nations wood carvings, masks, and totem poles were donated to the province as a part of the 1965 agreement. [27] By 1981, approximately 42 per cent of works in the permanent collection were works by indigenous Canadian artists. [26]
The qulliq, a type of oil lamp, is carved out of soapstone and used by the Inuit and Dorset peoples. [13] The soapstone oil lamps indicate these people had easy access to oils derived from marine mammals. [14] In the modern period, soapstone is commonly used for carvings in Inuit art. [15]
The Naujaat community continues to rely on traditional sealing, fishing, hunting, trapping, and carving for their livelihood, together with tourism. Naujaat is known for its Inuit artists , especially carvers (typically creating small realist animal sculptures of ivory, soapstone, marble and antler), as well as jewellery and crafts.
In 1972, his brother Abraham Anghik Ruben introduced him to stone carving. [2] He also studied books on art. [3] He attributes the impetus behind making his work to art patron Dr. Allan Gonor from North Battleford, Saskatchewan in 1974. Gonor suggested he use stories Piqtoukun collected in his sculpture. [4] Gonor told Piqtoukun:
By 1968 she was one of the first in her community to begin carving. [2] [3] Her work is included in the collections of the Musée national des beaux-arts du Québec [1] and the National Gallery of Canada [5] Okittiuq's work was included in Kakiniit Hivonighijotaa: Inuit Embodied Practices and Meanings, at the Winnipeg Art Gallery in 2022. [6]
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