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She also proposes a more detailed taxonomy: (1) the "insertable" self-portrait, where the artist inserts his or her own portrait into, for example, a group of characters related to some subject; (2) the "prestigious, or symbolic" self-portrait, where an artist depicts him- or herself in the guise of a historical person or religious hero; (3 ...
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
Dürer was an outstanding draftsman and one of the first major artists to make a sequence of self-portraits, including a full-face painting. He also placed his self-portrait figure (as an onlooker) in several of his religious paintings. [34] Dürer began making self-portraits at the age of thirteen. [35] Later, Rembrandt would amplify that ...
A singularity of the female self-portrait is to find artists from princely, royal and imperial families, mainly in the 17th and 18th centuries; while the sons of noble families are destined for war or the clergy, the girls receive a thorough artistic education, in music, literature and fine arts; equipped with this background, some have become ...
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
c. 1630 (Walker Art Gallery, Liverpool) The Liverpool Self-Portrait is transitional between a study of expression, a tronie, and a conventional head-and-shoulders 'portrait of the artist'. Self-Portrait in Oriental Costume with Poodle (1631-1633) Last self-portrait produced in his hometown and only full-length self-portrait.
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A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...