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CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, ... In both cases, however, the frame had an aspect ratio of 1.275:1 ...
Original aspect ratio of CinemaScope before optical sound was added to the film in 1954. This was also the aspect ratio of CinemaScope 55. 2. 592:1 = 70:27 Cinerama at full height (three specially captured 35 mm images projected side by side into one composite widescreen image). 2. 6:1 = 8:3 = 24:9
The anamorphic widescreen format in use today is commonly called 'Scope' (a contraction of the early term CinemaScope), or 2.35:1 (the latter being a misnomer born of old habit; see "Aspect ratio" section below). Filmed in Panavision is a phrase contractually required for films shot using Panavision's anamorphic lenses. All of these phrases ...
Generically speaking, this means a 2× anamorphosis lens with 4-perf negative pulldown for both image origination and projection, and an aspect ratio of 2.35:1 until 1970 (requiring special, narrow "negative assembly" splices) and 2.39:1 after 1970 (using conventional "negative assembly" splices). The change from 2.35:1 to 2.39:1 (sometimes ...
Films shot in CinemaScope or Panavision are usually projected at a 2.39:1 aspect ratio, though the historical aspect ratio can be 2.66:1 (original separate magnetic sound aspect ratio), 2.55:1 (original four-track magnetic sound aspect ratio) or 2.35:1 (original mono optical sound aspect ratio, and much later "stereo variable-area" aspect ratio ...
Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of ... Cinemascope [16] 20th Century Fox ...
21:9" ("twenty-one by nine" or "twenty-one to nine") is a consumer electronics (CE) marketing term to describe the ultrawide aspect ratio of 64:27 (2. 370:1 or 21. 3:9), designed to show films recorded in CinemaScope and equivalent modern anamorphic formats. The main benefit of this screen aspect ratio is a constant display height when ...
2048 × 1080 (full frame, 256∶135 or ≈1.90∶1 aspect ratio) 1998 × 1080 (flat crop, 1.85∶1 aspect ratio) 2048 × 858 (CinemaScope crop, ≈2.39∶1 aspect ratio) However, the term 2K itself is generic, was not coined by DCI, and does not refer specifically to the DCI 2K standard.