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The asanas have been given a variety of English names by competing schools of yoga. [2] The traditional number of asanas is the symbolic 84, but different texts identify different selections, sometimes listing their names without describing them. [3] [a] Some names have been given to different asanas over the centuries, and some asanas have ...
Tadasana (Sanskrit: ताड़ासन, romanized: Tāḍāsana), Mountain pose or Samasthiti (Sanskrit: समस्थिति; IAST: samasthitiḥ) is a standing asana in modern yoga as exercise; [1] [2] it is not described in medieval hatha yoga texts. It is the basis for several other standing asanas.
Tree pose [1] or Vrikshasana (Sanskrit: वृक्षासन, romanized: vṛkṣāsana) is a balancing asana. It is one of the very few standing poses in medieval hatha yoga , and remains popular in modern yoga as exercise . [ 2 ]
Pose like Virabhadrasana III, variant with arms out to sides, Niels Bukh's Primary Gymnastics, 1924. The name is from the Sanskrit वीरभद्र Vīrabhadra, a mythical warrior, and आसन āsana, a yoga posture or meditation seat. [1] Accordingly the asana is often called "Warrior Pose" in English. [2]
Bhujangasana (Sanskrit: भुजंगासन; IAST: Bhujaṅgāsana) or Cobra Pose [1] is a reclining back-bending asana in hatha yoga and modern yoga as exercise. It is also performed in a cycle of asanas in Surya Namaskar, Salute to the Sun, as an alternative to Urdhva Mukha Svanasana, Upward Dog Pose. The Yin Yoga form is Sphinx Pose.
Natarajasana (Sanskrit: नटराजासन, romanized: Naṭarājāsana), Lord of the Dance Pose [1] or Dancer Pose [2] is a standing, balancing, back-bending asana in modern yoga as exercise. [1] It is derived from a pose in the classical Indian dance form Bharatnatyam, which is depicted in temple statues in the Nataraja Temple, Chidambaram.
The pose is described in the 15th-century Hatha Yoga Pradipika, chapter 1, verses 28-29. The name Dandasana (Sanskrit: दण्डासन; IAST: daṇḍāsana) is from Sanskrit दण्ड daṇḍa meaning "stick" or "staff". [7] The pose is not found in the medieval hatha yoga texts.
The pose is unknown in medieval hatha yoga, but is described in Krishnamacharya's 1935 Yoga Makaranda, and taken up by his pupils Pattabhi Jois and B. K. S. Iyengar in their respective schools of yoga. [4] A similar pose appears in Niels Bukh's 1924 Primary Gymnastics; Mark Singleton suggests that Krishnamacharya, influenced by the general ...