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The use of the harmonic seventh interval is characteristic of blues and is popularly called the "blues seven". [31] Blues seven chords add to the harmonic chord a note with a frequency in a 7:4 ratio to the fundamental note. At a 7:4 ratio, it is not close to any interval on the conventional Western diatonic scale. [32]
The Aileen Stanley version was released as Victor 18703, Matrix # 24657–6, in 1920. Bennie Krueger and his Orchestra recorded the song in 1921. Fletcher Henderson and His orchestra released the song in 1931. Marion Harris recorded the song for Columbia in 1934. The song was recorded by Lionel Hampton and His orchestra in 1939 by RCA Victor.
In 1955, "Learnin' the Blues" was recorded by Frank Sinatra with Nelson Riddle & his Orchestra. [3] Initially published on the B side of the EP Session With Sinatra (Capitol Records EAP 1-629), Learnin' the Blues was subsequently re-released in June 1955 as a single with Sinatra's If I Had Three Wishes on the B side (Capitol 3102).
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
Everton fans sing a version of this song; "I've never felt more like singing the blues, when Everton win and Liverpool lose, oh Everton you've got me singing the blues." Also this song is commonly used at Manchester City football matches, where the fans sing: "Never felt more like singing the blues, City win, United lose." This song has been ...
Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
"I Gotta Right to Sing the Blues" is a popular song with music by Harold Arlen and lyrics by Ted Koehler, published in 1932 for the Broadway show Earl Carroll's Vanities (1932). [1] The song has become a jazz and blues standard. Popular recordings in 1933 and 1934 were those by Cab Calloway, Louis Armstrong and Benny Goodman. [2]
"That's All Right"or "That's Alright" [1] is a blues song adapted by Chicago blues singer and guitarist Jimmy Rogers. He recorded it in 1950 with Little Walter on harmonica. . Although based on earlier blues songs, music writer John Collis calls Rogers' rendition "one of the most tuneful and instantly memorable of all variations on the basic blues format
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