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Farfisa (Italian: Fabbriche Riunite di Fisarmoniche) is a manufacturer of electronics based in Osimo, Italy, founded in 1946.The company manufactured a series of compact electronic organs in the 1960s and 1970s, including the Compact, FAST, Professional and VIP ranges, and later, a series of other keyboard instruments.
"Farfisa Beat" is a song recorded and released by British new-wave band Squeeze. It was released as a single in Denmark and Germany in 1980, and Switzerland in 1981. The song appears on the band's third album, Argybargy .
The Hammond and Farfisa organ coda is similar to that found on the "Celestial Voices" section of "A Saucerful of Secrets". While the Hammond provides a stately foundation with an Em-Bm-D-A-G-D-B sequence, about 1/4 way into the coda Wright introduces the Farfisa which, run through a Binson Echorec platter echo , produces the swirly, trembly ...
The Nord C1 was released in 2007, aimed mainly at the "gigging musician" as a digital replacement for the Hammond, Vox and Farfisa electric organs. [2] In 2009 it was replaced by the Nord C2, which added emulation of a baroque pipe organ to widen its appeal to "churches, concert and congregation halls".
On stage with Gilmour, he played keyboards, including a revival of the Farfisa organ for "Echoes". Wright sang lead on " Arnold Layne ", which was released as a live single. [ 54 ] He declined an offer to join Waters and Mason on Waters' Dark Side of the Moon Live tour to spend time working on a solo project. [ 55 ]
It is the third Pink Floyd song written solely by Richard Wright, and features Wright on lead vocals and piano, Farfisa organ, xylophone and Mellotron. On the recording sheet, the song is listed as "The Most Boring Song I've Ever Heard Bar Two". [2] It was recorded on the 25 and 26 January 1968 at EMI Studios. [3]
In performance with this group he played Farfisa and Hammond organs, adding a wide range of effects including phasing, tape echo, distortion and overdrive. In 1970 he took over the bass player role within the group, using the organ foot pedals.
With the release of both Party Mix! and Mesopotamia, the band used the "Meso-America" tour to perform updated versions of some of the songs in their live set that they had been performing since 1977. Another change in 1982 was the keyboard setup, with Kate Pierson no longer standing behind a bass synth perched atop a Farfisa Compact Organ.