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Spock is a fictional character in the Star Trek media franchise. He first appeared in the original Star Trek series serving aboard the starship USS Enterprise as science officer and first officer (and Kirk's second-in-command) and later as commanding officer of the vessel.
Spock's home planet was changed because Roddenberry thought if the show was a success, humans might actually walk on Mars during the series' run. [12] The eventual logical nature of Spock was originally written into the character Number One as portrayed by Majel Barrett. It was not until the second pilot that this was included as one of Spock's ...
Spock remarks that Data has achieved the ideal Vulcan state of pure logic without emotion, and Data remarks that Spock feels emotion, which Data is trying to achieve. Picard, Data, and Spock are soon captured by Commander Sela (Tasha Yar's daughter), who is planning a Romulan conquest of Vulcan.
Sure enough, Spock's death was swiftly undone in Star Trek III: The Search of Spock, which was released two years after The Wrath of Khan became one of 1982's biggest blockbusters. And Meyer says ...
Anson Mount, Ethan Peck, and Rebecca Romijn star in the series, reprising their respective roles of Christopher Pike, Spock, and Una Chin-Riley / Number One from Star Trek: Discovery. [1] Their characters were first introduced in "The Cage", which starred Jeffrey Hunter as Pike, Leonard Nimoy as Spock, and Majel Barrett as Number One.
The Vulcan "salute" was devised by Leonard Nimoy, who portrayed the half Vulcan character Mr. Spock on the original Star Trek television series. A 1968 New York Times interview described the gesture as a "double-fingered version of Churchill's victory sign". Nimoy said in that interview that he "decided that the Vulcans were a "hand-oriented ...
"Amok Time" is the second season premiere episode of the American science fiction television series Star Trek. Written by science fiction author Theodore Sturgeon, scored by Gerald Fried, and directed by Joseph Pevney, it first aired on September 15, 1967.
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