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Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene." [2] It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberately kept very short (mostly a single short stanza and refrain) to minimize disruptions to the flow of the story, which involves lower class, often criminal ...
Ballad operas developed as a form of English stage entertainment, partly in opposition to the Italian domination of the London operatic scene. [16] It consisted of racy and often satirical spoken (English) dialogue, interspersed with songs that were deliberately kept very short to minimize disruptions to the flow of the story. Subject matter ...
Entertainment in Paris fair theatres at the end of the 17th century, mixing popular vaudeville songs with comedy. In the 18th century, developed into the opéra comique, while influencing directly the English ballad opera and indirectly the German Singspiel. Comédie lyrique: French
The Beggar's Opera [1] is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch.It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today.
His opera Artaxerxes (1762) was the first attempt to set a full-blown opera seria in English and was a huge success, holding the stage until the 1830s. His modernized ballad opera, Love in a Village (1762), was equally novel and began a vogue for pastiche opera that lasted well into the 19th century. Arne was one of the few English composers of ...
Ballad opera – Genre of English stage entertainment using popular songs and spoken dialogue. Opera buffa – Genre of opera characterized by light, humorous, and often satirical themes. Opéra comique – French opera genre featuring both sung and spoken dialogue. Opera seria – Genre of opera with serious, often tragic themes.
Rather than the more aristocratic themes and music of the Italian opera, the ballad operas were set to the music of popular folk songs and dealt with lower-class characters. [30] Subject matter involved the lower, often criminal, orders, and typically showed a suspension (or inversion) of the high moral values of the Italian opera of the period.
Hugh the Drover (or Love in the Stocks) is an opera in two acts by Ralph Vaughan Williams to an original English libretto by Harold Child. The work has set numbers with recitatives . It has been described as a modern example of a ballad opera . [ 1 ]