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In New York, O'Keeffe painted the buildings, including the Shelton Hotel, where she and Stieglitz lived from 1925 to 1936. At the time, it was the tallest building in the world. The couple married ...
Georgia O'Keeffe created a series of paintings of skyscrapers in New York City between 1925 and 1929. They were made after O'Keeffe moved with her new husband into an apartment on the 30th floor of the Shelton Hotel, which gave her expansive views of all but the west side of the city. She expressed her appreciation of the city's early ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 8 February 2025. American modernist artist (1887–1986) For the 2009 film, see Georgia O'Keeffe (film). Georgia O'Keeffe O'Keeffe in 1932, photograph by Alfred Stieglitz Born Georgia Totto O'Keeffe (1887-11-15) November 15, 1887 Sun Prairie, Wisconsin, U.S. Died March 6, 1986 (1986-03-06) (aged 98 ...
In 1930, Georgia O'Keeffe created 54 works, some of which were created in Maine and New York, though the majority were completed in New Mexico. [4] In April of that year, she continued her exploration of natural forms in Maine, expanding on her ongoing shell series first initiated in the 1920s (Shell and Old Shingle I, Shell and Old Shingle VII, 1926; Shell No. 2, 1928) and continuing ...
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
New York skyscraper paintings of Georgia O'Keeffe User:Jane023/Paintings by Georgia O'Keeffe File talk:Radiator Building – Night, New York (1927), Georgia O'Keefe.jpg
Cow's Skull: Red, White, and Blue is a painting by American artist Georgia O'Keeffe. It depicts a cow skull centered in front of what appears to be a cloth background. In the center of the background is a vertical black stripe, surrounded by two vertical stripes of white laced with blue. Outside are two vertical red stripes.
In a flashback, Jesse Pinkman and Jane Margolis visit the Georgia O'Keeffe Museum and view O'Keeffe's painting My Last Door. They debate its meaning before Jane concludes that O'Keeffe was simply trying to make a good feeling last. In the present, Hank Schrader is frustrated with his physical therapy.