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The band The Beatles is #1 on the 200 list, in addition to being the most featured in the rankings Pink Floyd appears at 2nd in the 200 list, in addition to appearing 3 times in the rankings Michael Jackson is number 3 with the album Thriller Led Zeppelin is number 4 with the album Led Zeppelin IV The Rolling Stones is 6th with Exile on Main St. Carole King is the highest ranked woman on the ...
All compositions are by Corea who wanted to create an album of quartets like the many string quartets of the Baroque, Classical, Romantic and Impressionist periods, but with jazz instrumentation. "Quartet No. 1" uses a 1-chord (G altered) solo vamp over a rock beat in 3/4, and a repeated theme that uses stacked fourths.
Regarded as one of the most important ambient albums of all time. [5] FACT's The 100 Best Albums of the 1980s: #10 [5] New Age Magazine's 25 Most Influential Ambient CDs [228] Echoes Radio's #2 Album of All Time. [229] Pitchfork's 33rd best ambient album of all time [230] July 16, 1984 () Diamond Life: Sade: Smooth soul; sophisti-pop [231] [232 ...
NME's "The 500 Greatest Albums Of All Time": #407 [41] Uncut's "The 500 Greatest Albums of the 1990s": #147 [3] Ned Raggett's Top Albums of the 90s: #108 [1] Pitchfork's 50 Best Shoegaze Albums of All Time [120] 30 March 1992 Lazer Guided Melodies: Spiritualized: Dream pop [121] space rock; shoegaze; Dedicated: Regarded as having anticipated ...
Seven Songs for Quartet and Chamber Orchestra is an album by jazz vibraphonist Gary Burton recorded in December 1973 and released on ECM August the following year. The quartet, featuring rhythm section Mick Goodrick , Steve Swallow and Ted Seibs, are backed by Michael Gibbs conducting the NDR Symphony Orchestra , who composed most of the music.
For the third year in a row, Dylan raided the Great American Songbook, this time with a 30-song triple album, and received his third consecutive Grammy nomination for Best Traditional Pop Vocal Album.
The music is a continuous free improvisation with only a few brief pre-determined sections, recorded in one take with no overdubbing or editing. [6] The album features what Coleman called a “double quartet,” i.e., two self-contained jazz quartets: each with a reed instrument, trumpet, bass, and drums. [7]
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