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Shri is an epithet of the Hindu goddesses - Lakshmi. Shri is a polite form of address equivalent to the English "Mr." or "Ms.". [7] Shri is also frequently used as an epithet of some Hindu gods, in which case it is often translated into English as Holy. Also, in language and general usage, Shri, if used by itself and not followed by any name ...
Shri ragam is an ancient ragam in the Carnatic tradition. It is also written as Sri or Sreerag. [1] This scale does not have all the seven swaras (musical notes) in the ascending scale. [1] Shree is the asampurna melakartha equivalent of Kharaharapriya, the 22nd Melakarta rāgam. [1] [2] It is the last of the 5 Ghana rāgams of Carnatic music. [1]
A Carnatic concert. The shruti or śruti is the smallest interval of pitch that the human ear can detect and a singer or musical instrument can produce. [1] [2] The concept is found in ancient and medieval Sanskrit texts such as the Natya Shastra, the Dattilam, the Brihaddeshi, and the Sangita Ratnakara.
Shri, an honorific commonly used in the Indian subcontinent; Shree (Hindustani raga), the Hindustani classical music scale; Shree (Carnatic raga), the Carnatic music scale; Sri (Odissi raga), the Odissi classical music scale; Shree, a Hindi film starring Hussain Kuwajerwala, Paresh Ganatra and Anjali Patil
A Hindu musician, early 20th century. Hindu music is music created for or influenced by Hinduism. It includes Indian classical music, Kirtan, Bhajan and other musical genres. Raagas are a common form of Hindu music in classical India. [1] The most common Hindu bhajan in North India is "Om Jai Jagdish Hare."
The elephants are symbolic of royalty and, in Hindu mythology, are also related with cloud and rain; they thus reinforce Shri-Lakshmi's stature as the goddess of abundance and fertility. [ 7 ] Later Hindu iconography often represents Shri-Lakshmi in the form of Gaja-Lakshmi , standing on a lotus, flanked by two elephants that are shown ...
A rāga is a central concept of Indian music, predominant in its expression, yet the concept has no direct Western translation. According to Walter Kaufmann, though a remarkable and prominent feature of Indian music, a definition of rāga cannot be offered in one or two sentences.
The song was extensively used to project a secular and composite vision of Indian society— it was sung during the 1930 Salt March. [24] After Gandhi's return from Noakhali, he replaced the refrain Bhaj man pyare Sitaram by Bhaj man pyare Rama Rahim, bhaj man pyare Krishna Karim, to better reflect the desired Hindu-Muslim unity. [25]