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In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
June Smith (jazz singer) (1930–2016) Kate Smith (1907–1986) Keely Smith (1928–2017) Frank Sinatra (1915–1998) Frank Sinatra Jr. (1944–2016) Phoebe Snow (1952–2011) Jeri Southern (1926–1991) Luciana Souza (born 1966) Esperanza Spalding (born 1984) Dusty Springfield (1939–1999) Dorothy Squires (1915–1998) Jo Stafford (1917 ...
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
The Oklahoma City Blue Devils was the premier American Southwest territory jazz band in the 1920s. [1] Originally called Billy King's Road Show, it disbanded in Oklahoma City in 1925 where Walter Page renamed it. [2] The name Blue Devils came from the name of a gang of fence cutters operating during the early days of the American West. [3] [4]
Jazz artists like Louis Armstrong originally received very little airtime because most stations preferred to play the music of white American jazz singers. Other jazz vocalists include Bessie Smith and Florence Mills. In urban areas, such as Chicago and New York, African-American jazz was played on the radio more often than in the suburbs.
Pages in category "20th-century Jazz musicians from New Orleans" The following 200 pages are in this category, out of approximately 298 total. This list may not reflect recent changes .
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [ 5 ] Some compositions written by jazz artists have endured as standards, including Fats Waller 's " Honeysuckle Rose " and " Ain't Misbehavin' ".
In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were even less common. Mary Lou Williams, known for her talent as a piano player, is deemed as one of the "mothers of jazz" due to her singing while playing the piano at the same time. [4] Lovie Austin (1887–1972) was a piano player and bandleader.