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Frequency (Hz) Octave Description 16 to 32 1st The lower human threshold of hearing, and the lowest pedal notes of a pipe organ. 32 to 512 2nd to 5th Rhythm frequencies, where the lower and upper bass notes lie. 512 to 2,048 6th to 7th Defines human speech intelligibility, gives a horn-like or tinny quality to sound. 2,048 to 8,192 8th to 9th
10 Hz: Cyclic rate of a typical automobile engine at idle (equivalent to 600 rpm) 12 Hz: Acoustic – the lowest possible frequency that a human can hear [3] 18 Hz: Average house cat's purr 24 Hz: Common frame rate of movies 27.5 Hz: Acoustic – the lowest musical note (A 0) playable on a normally-tuned standard piano 50 Hz
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440). [1] [2] Every octave is made of twelve steps called semitones.
The lowest combination tone (100 Hz) is a seventeenth (two octaves and a major third) below the lower (actual sounding) note of the tritone. All the intervals succumb to similar analysis as has been demonstrated by Paul Hindemith in his book The Craft of Musical Composition , although he rejected the use of harmonics from the seventh and beyond.
Note sounded (relative to open string) Audio frequency Cents above fundamental (offset by octave) Audio (octave shifted) 1 st: fundamental, perfect unison: P 1 600 Hz: 0.0 ¢ Play ⓘ 2 nd: first perfect octave: P 8 1 200 Hz: 0.0 ¢ Play ⓘ 3 rd: perfect fifth: P 8 + P 5 1 800 Hz: 702.0 ¢ Play ⓘ 4 th: doubled perfect octave: 2 · P 8 2 400 ...
In telecommunication, a standard test tone is a pure tone with a standardized level generally used for level alignment of single links and of links in tandem. [1]For standardized test signal levels and frequencies, see MIL-STD-188-100 for United States Department of Defense (DOD) use, and the Code of Federal Regulations Title 47, part 68 for other Government agencies.
The bottom waveform is missing the fundamental frequency, 100 hertz, and the second harmonic, 200 hertz. The periodicity is nevertheless clear when compared to the full-spectrum waveform on top. The pitch being perceived with the first harmonic being absent in the waveform is called the missing fundamental phenomenon. [1]
The next note is sharper than C by the assigned value in cents. Finally, the two notes are played simultaneously. Note that the JND for pitch difference is 5–6 cents. Played separately, the notes may not show an audible difference, but when they are played together, beating may be heard (for example if middle C and a note 10 cents higher are ...