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The tonalities of the six Partitas (B ♭ major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B ♭ to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). [5]
The Partita for keyboard No. 2 in C minor, BWV 826, is a suite of six movements written for the harpsichord by Johann Sebastian Bach. It was announced in 1727, [ 1 ] issued individually, and then published as Bach's Clavier-Übung I in 1731.
Partita (also partie, partia, parthia, or parthie [1]) was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite.
"La partita di pallone" (transl. "The soccer game") is a 1962 song composed by Edoardo Vianello (music) and Carlo Rossi (lyrics), arranged by Luis Bacalov and performed by Rita Pavone . The song was Pavone's first single, released shortly after her Festival degli sconosciuti [ it ] victory, and was a huge success, effectively launching her ...
Partita for keyboard No. 4 in D Major, BWV 828, is a keyboard suite by Johann Sebastian Bach, originally dated 1728. [1] It is the fourth suite in his Clavier-Übung I.
The Partita No. 1 in B minor, BWV 1002 by Johann Sebastian Bach, is a piece for solo violin composed by 1720. [1] This partita is formed in the traditional way that consists of an allemande, a courante, sarabande and gigue in the baroque style, except that this work substitutes a bourrée (marked Tempo di Borea) for the more typical gigue.
Prior to publication, two movements of BWV 830 formed part of the first version of the sixth sonata in E minor for obbligato harpsichord and violin, BWV 1019: the Corrente as a harpsichord solo; and the Tempo di gavotta as a duo for violin and harpsichord. The surviving manuscript, largely written by Bach's nephew Johann Heinrich Bach, has been ...
[2] [3] In an interview with Radio Zeta, Marroneexplained the meaning of the song: [4] ""Mezzo mondo" comes from thirteen years of music and experiences. We have done half the world, now we will do the other half with the desire to do well and have fun. [...] it talks about wanting to come back with a different spirit, with a lighter form.