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The tonalities of the six Partitas (B ♭ major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B ♭ to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). [5]
The Partita for keyboard No. 2 in C minor, BWV 826, is a suite of six movements written for the harpsichord by Johann Sebastian Bach. It was announced in 1727, [ 1 ] issued individually, and then published as Bach's Clavier-Übung I in 1731.
"La partita di pallone" (transl. "The soccer game") is a 1962 song composed by Edoardo Vianello (music) and Carlo Rossi (lyrics), arranged by Luis Bacalov and performed by Rita Pavone . The song was Pavone's first single, released shortly after her Festival degli sconosciuti [ it ] victory, and was a huge success, effectively launching her ...
Partita (also partie, partia, parthia, or parthie [1]) was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite.
Partita for keyboard No. 4 in D Major, BWV 828, is a keyboard suite by Johann Sebastian Bach, originally dated 1728. [1] It is the fourth suite in his Clavier-Übung I . Structure
The Partita for orchestra with a solo soprano (Alla memoria di Ernesto Consolo) by the Italian composer Luigi Dallapiccola was composed between 1930 and 1932. [ 1 ] Partita is the work with which Dallapiccola first came to international recognition. [ 2 ]
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
[2] Walton decided on a quasi-symphonic form, in three movements. As the work was to be extrovert and not over-serious he avoided calling it a symphony or sinfonietta and designated it a partita; [3] he borrowed from the 18th-century partita the idea of beginning with a toccata and ending with a gigue. [4] As a central movement he wrote a ...