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Edomoji (Japanese: 江戸文字, えどもじ) (or edo-moji) are Japanese typefaces invented for advertising during the Edo period.The main styles of edomoji are chōchinmoji, found on paper lanterns outside restaurants; higemoji, used to label kakigōri and drinks like ramune and sake; kagomoji, literally "cage letters"; kakuji, a thick and rectangular seal script; kanteiryū, often used on ...
The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
GNU FreeFont (also known as Free UCS Outline Fonts) is a family of free OpenType, TrueType and WOFF vector fonts, implementing as much of the Universal Character Set (UCS) as possible, aside from the very large CJK Asian character set. The project was initiated in 2002 by Primož Peterlin and is now maintained by Steve White.
[2] [1] During this period, Edo songs and hymns were transcribed for religious and cultural purposes. [8] [3] [9] The late period of Edo literature, beginning in the early 1930s, saw the emergence of various authors and literary forms. [10] One significant work from this period was Ekhere Vb'Itan Edo by Jacob Egharevba, a historian and writer ...
The Santa Ynez Reservoir, a 117-million-gallon water resource near the Pacific Palisades, was under renovation and empty when fires tore through the Los Angeles neighborhood last week and ...
Font Japanese Mandarin (Hànyǔ Pīnyīn) Vietnamese (chữ Quốc ngữ) Image [c] 元豊通寳: 元豊通宝: Clerical script, Semi-cursive script, Seal script: Genpō Tsūhō: Yuán Fēng Tōng Bǎo: Nguyên Phong Thông Bảo: 天聖元寳: 天聖元宝: Regular script: Tensei Genpō: Tiān Shèng Yuán Bǎo: Thiên Thánh Nguyên Bảo ...
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Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.