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There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might be sung to any hymn tune in Long Metre, but the tunes might be as different as those tunes that have been used for centuries with hymns such as Te lucis ante terminum, on one hand, and an arrangement of the calypso tune used with Jamaica Farewell, on the other.
Usually the organ accompaniment to the last verse of a hymn tune will be heavier (in musical terms) than the standard harmony.Typically it will include lower or more profound bass notes, which will almost certainly be played on the pedalboard, and more frequent use of secondary dominants, particularly over chromatic movement in the bass.
The Ancient of Days, a 14th-century fresco from Ubisi, Georgia. In Eastern Orthodox Christian hymns and icons, the Ancient of Days is sometimes identified with God the Father or occasionally the Holy Spirit; but most properly, in accordance with Orthodox theology he is identified with God the Son, Jesus Christ.
Hymns in the Church of Jesus Christ of Latter-day Saints; Adam-ondi-Ahman (hymn): Early reference to Adam-ondi-Ahman; Joy to the World (Phelps): W. W. Phelps' adaptation of the popular Christmas carol; The Spirit of God Like a Fire Is Burning: Arguably the most popular Latter Day Saint hymn, which was included as a last-minute addition to the ...
The Ancient of Days is a design by William Blake, originally published as the frontispiece to the 1794 work Europe a Prophecy. It draws its name from one of God's titles in the Book of Daniel and shows Urizen [ 1 ] crouching in a circular design with a cloud-like background.
Phos Hilaron (Koinē Greek: Φῶς Ἱλαρόν, romanized: Fōs Ilaron) is an ancient Christian hymn originally written in Koine Greek.Often referred to in the Western Church by its Latin title Lumen Hilare, it has been translated into English as O Gladsome Light.
Hymns Ancient and Modern (1904) has 5 stanzas, The English Hymnal (1906) has 4, and The United Methodist Hymnal (1989), includes a 4-stanza version alongside the 12-stanza text. [1] In light of its length, some have argued that the text should be treated as a poem rather than a congregational hymn.
Dykes stated that he composed a number of tunes specially for use in Durham Cathedral's Galilee Chapel; [49] but the first of his tunes to have been published appeared in John Grey's Manual of Psalm and Hymn Tunes (Cleaver: London, 1857). This was a hymnal with a local circulation; the Rev. John Grey (1812–1895) was a canon of Durham ...