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Wide Screen Movies Magazine, Vol. 1, 2002. Retrieved on 2006-12-01. Herbert, Stephen. Museum of the Moving Image, date unknown. Retrieved on 2006-12-01. Horak, Jan-Christopher. Introduction to Film Gauges. UCLA Film and Television Archive, 2000. Retrieved on 2006-12-01. Internet Movie Database Incorporated. Internet Movie Database, 1990–2006 ...
Common aspect ratios used in film and display images. The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1. [1] Two common videographic aspect ratios are 4:3 (1. 3:1), [a] the universal video format of the 20th century, and 16:9 (1. 7:1), universal for high-definition television and European digital television.
In 3D. Presented in Standard 24p and HFR (48p). Aspect ratio opened up to 2.00:1 for the entire film. [271] First mainstream feature to be released in IMAX with Laser. [272] Seventh Son: 17 December 2014 **+ In 3D (conversion). Aspect ratio opened up to 1.90:1 for the opening sequence only. [273] Gone with the Bullets: 18 December 2014 ** In 3D.
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating, with the 1.43:1 ratio format being available only in few selected locations.
A cartridge of Kodak 35 mm (135) film for cameras.. A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking.
Classic television aspect ratio 4:3, and two wider ratios. Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1).
[46] 4096×2160 is a resolution only relevant in digital cinema , where movie theater projectors feature this resolution with either letterboxed 4096×1716 or pillarboxed 3996×2160 content for "Scope" (2.39:1) and "Flat" (1.85:1) aspect ratios, respectively. The full panel aspect ratio of 256:135 is unfit for normal consumer content with a 16: ...
Color was the more common choice, being that it was projected the same as black and white while theaters needed wider screens and special lenses for their projectors to show widescreen movies. With the lack of a standard for widescreen aspect ratios, studios had to go to the expense of filming several versions of a widescreen movie to cover the ...