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The aspect ratio of 4:3. Fullscreen (or full screen) refers to the 4:3 (1. 33:1) aspect ratio of early standard television screens and computer monitors. [1] Widescreen ratios started to become more popular in the 1990s and 2000s. Film originally created in the 4:3 aspect ratio does not need to be altered for full-screen release.
Aspect ratio 3.6:1 for select sequences. [397] [398] Harry Potter and the Philosopher's Stone: 13 October 2016 **+ Originally released in 2001. Included in the re-release of the entire Harry Potter film series. Limited engagement. Re-released as 3D (converted) in China in 2020. [399] Harry Potter and the Chamber of Secrets: 13 October 2016 **+
Common aspect ratios used in film and display images. The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1. [1] Two common videographic aspect ratios are 4:3 (1. 3:1), [a] the universal video format of the 20th century, and 16:9 (1. 7:1), universal for high-definition television and European digital television.
The original screen ratio for TV broadcasts was 4:3 (1.33:1). This was the same aspect ratio as most cinema screens and films at the time TV was first sold commercially. 1930s and 1940s films in 4:3, such as Gone with the Wind , have always been displayed on television in 4:3, filling the entire frame.
Projection gauge is the film gauge (width) used for the release print. Projection aspect ratio is the image ratio determined by the ratio of the projection dimensions multiplied by the anamorphic power of the projection lenses (1× in the case of spherical lenses). This is also known as the intended theatrical aspect ratio. [1]
This aspect ratio was chosen as the geometric mean between 4:3 and 2.35:1, an average of the various aspect ratios used in film. [3] While 16:9 is well-suited for modern HDTV broadcasts , older 4:3 video has to be either padded with bars on the left and right side (pillarboxed), cropped or stretched, while movies shot with wider aspect ratios ...
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For the first several decades of television broadcasting, sets displayed images with a 4:3 (1.33:1) aspect ratio, similar to most theatrical films prior to 1960.However, in the early to mid-1950s, to compete with television and lure audiences away from their sets, producers of theatrical motion pictures began to use "widescreen" formats such as CinemaScope and Todd-AO, which provided more ...
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