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"Bermuda Triangle" is a song by Barry Manilow, from his album Barry. Released as a single in 1981, it reached number 15 in the UK Singles Chart , number 16 in Germany and number 23 in Ireland. The song expresses fear at the prospect of entering the Bermuda Triangle and features tonicizations , the cycle of fifths and a brief modulation to the ...
Although "I Made It Through the Rain" was his only Top-10 on the Hot 100 from this album, he managed to reach the Top-10 on the Adult-Contemporary lists with "Lonely Together" and the bouncy up-tempo "Bermuda Triangle" was a Top-20 hit in the UK in mid-1981. [3] The album has yet to be released on CD in the US, but has had a CD release in Japan.
There is a song on the cast album, called "Why We Like Spelling". This song is sung by all the spellers, but is not in the Broadway production or in the licensed productions. A song entitled "The 25th Annual Putnam County Spelling Bee Massacres the 12 Days of Christmas" was released online as a holiday track sung by the cast.
"Love Shines" was released as a single to promote the box set in the UK, whereas "Paper Doll" was the single in the US. The extended version of Stevie Nicks' " Gypsy " was also included for the first time on a commercial release, and this collection also marked the first time Nicks' " Silver Springs " had appeared on a full-length Fleetwood Mac ...
"Could It Be Magic" is a song written by Adrienne Anderson and composed by American singer-songwriter Barry Manilow, inspired by Frédéric Chopin's Prelude in C minor, Opus 28, Number 20. The song was initially released in 1971 by Featherbed (a group of session musicians featuring Barry Manilow), produced and co-written by Tony Orlando .
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Lenny Zakatek released the song as a single in 1982. Groove 21/20 remixed "Say I Love You", featuring Renée Geyer, which was released as the lead single to promote her album, The Best of Renee Geyer 1973-1998 (1998).
Reviewing for Disc, Don Nicholl wrote that "When Will You Say I Love You" "opens as if it's going to be a fast piano concerto. But soon slides into a familiar lazy beat for another hit ballad", with Fury singing "the lyrics romantically with those undertones of Presley which seem to be doing him a lot of good commercially nowadays". [1]