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Suzanna Arundhati Roy (Bengali pronunciation: [orundʱoti rae̯]; born 24 November 1961) [1] is an Indian author best known for her novel The God of Small Things (1997), which won the Booker Prize for Fiction in 1997 and became the best-selling book by a non-expatriate Indian author. [1]
Arundhati Roy (born 1961), Indian author best known for her novel The God of Small Things (1997), which won the Booker Prize for Fiction in 1997 and became the best-selling book by a non-expatriate Indian author; Varsha Adalja (born 1940), Gujarati novelist, playwright; Smita Agarwal (born 1958), poet, educator; Vinita Agrawal (born 1965), poet ...
Arundhati Roy. The God of Small Things is a family drama novel written by Indian writer Arundhati Roy. It is a story about the childhood experiences of fraternal twins whose lives are destroyed by the "Love Laws" prevalent in the 1960s Kerala, India. The novel explores how small, seemingly insignificant occurrences, decisions and experiences ...
Listening to Grasshoppers: Field Notes on Democracy (2009) is a collection of essays written by Booker Prize winner Arundhati Roy. Written between 2002 and 2008, the essays have been published in various left-leaning newspapers and magazines in India.
Roy is reported to have argued that the Kashmir region, which is claimed in its entirety by both India and Pakistan and partly administered by each, had never been an “integral part of India”.
Roy's characters run the gamut of Indian society and include an intersex woman , a rebellious architect, and her landlord who is a supervisor in the intelligence service. [4] The narrative spans across decades and locations, but primarily takes place in Delhi and Kashmir .
The Algebra of Infinite Justice (2001) is a collection of essays written by Booker Prize winner Arundhati Roy.The book discusses a wide range of issues including political euphoria in India over its successful nuclear bomb tests, the effect of public works projects on the environment, the influence of foreign multinational companies on policy in poorer countries, and the "war on terror".
The film was part-autobiographical, with Roy recounting her own experiences of studying at the School of Planning and Architecture, Delhi, a leading architecture institute in India. This was the first screenplay by Roy, the second movie by Krishen after his colonial-period drama Massey Sahib (1985). [ 7 ]