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śūnya, in the context of buddha dharma, primarily means "empty", or "void," but also means "zero," and "nothing," [7] and derives from the root śvi, meaning "hollow"-tā is a suffix denoting a quality or state of being, equivalent to English "-ness"
His writing used a highly idiosyncratic, playful language to express the spiritual concepts that he focussed on. He often combined English and Sanskrit, used obscure literary terms or invented his own words. In 1945 he wrote Memory, an autobiography, which is the core of Sunyata – The life and sayings of a rare-born mystic. [4]
According to Nakamura in his study of Advaita Vedanta, the Buddhist paramārtha, "highest truth", is identified with anutpāda [8] The term paramārtha is a synonym for tattva, tathata, sunyata, animitta, bhutakoti and dharmadhatu. [8] One who understands sunyata, anutpada and dependent arising, has realized the ultimate truth and gains nirvana.
The central meaning of emptiness (śūnyatā) in Yogācāra is a twofold "absence of duality." The first element of this is the unreality of any conceptual duality such as "physical" and "non-physical", "self" and "other".
This is a very early reference to Sunyata, as found in the Pali canon, and it clearly correlates Sunyata with Anatta: "it is empty of a self or of anything pertaining to a self. Therefore, we can pretty safely state that Sunyata is the emptiness of self or anything pertaining to a self.
Sunyata, a debut album by Vas Sunyata Dance , 2011 work for clarinet and symphony orchestra composed by He Xuntian Alfred Sorensen (1890 – 1984), also known as Sunyata, Danish mystic, horticulturalist and writer
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Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.