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This can be done by whistling a theme, playing it on a virtual piano keyboard, [1] tapping the rhythm on the computer keyboard, or entering the Parsons code. Anybody can modify the collection of melodies and enter MIDI files, bitmaps with sheet music (possibly generated by the Musipedia server after entering LilyPond or abc source code), lyrics ...
Macrotune is a free MML editor available for Windows and OS X while also offering Shared libraries for software/game developers. FlopPI-Music ( archived old documentation page ) uses an extended format with a file header with metadata (such as Author, Title, etc.), a newline, and then one line for each staff, supporting multiple instruments ...
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MikuMikuDance (commonly abbreviated to MMD) is a freeware animation program that lets users animate and create computer-animated films, originally produced for the Japanese Vocaloid voice synthesizer software voicebank Hatsune Miku, the first member of the Character Vocal series created by Crypton Future Media.
Optical music recognition (OMR) is a field of research that investigates how to computationally read musical notation in documents. [1] The goal of OMR is to teach the computer to read and interpret sheet music and produce a machine-readable version of the written music score.
Opcode Systems, Inc. was founded in 1985 by Dave Oppenheim and based in and around Palo Alto, California, USA.Opcode produced MIDI sequencing software for the classic Mac OS and Microsoft Windows, which would later include digital audio capabilities, as well as audio and MIDI hardware interfaces.
OSC is a content format developed at CNMAT by Adrian Freed and Matt Wright comparable to XML, WDDX, or JSON. [6] It was originally intended for sharing music performance data (gestures, parameters and note sequences) between musical instruments (especially electronic musical instruments such as synthesizers), computers, and other multimedia devices.
An isomorphic keyboard is a musical input device consisting of a two-dimensional grid of note-controlling elements (such as buttons or keys) on which any given sequence and/or combination of musical intervals has the "same shape" on the keyboard wherever it occurs – within a key, across keys, across octaves, and across tunings.